I love this saying. So many applications! What a kick to to find a phenomenon you’ve observed all your life encapsulated in four neat syllables.
An overseas colleague of mine takes this proverb as the basis for advice to those who travel. Exercise caution and keep your eyes open, she says. Newcomers to any environment are in the worst position to assess what does or does not constitute the unusual.
This is superb advice, of course. But I confess that was not the way I first heard the saying.
For me, it catches the way things happen when you visit a place like Disney World. When you first arrive, you point at the castle and the costumed characters and make photos. By the end of the day, after you’ve flown to Mars and whirled in a teacup and dived to the ocean floor and witnessed a pirate invasion and cruised the Congo, all you want to do is get off of your feet and enjoy an ice cream sandwich. So you find a bench near a lawn, and you’re unwrapping your ice cream sandwich, and you don’t even turn to look when the mushrooms start singing Offenbach.
Jiànguài bù guài. After a while, abnormal becomes the new normal.
The Society of Jesus was the youngest Catholic religious order as the 1500s gave way to the 1600s. Born not in medieval times but in an age of booming exploration and discovery, the order promoted missionary service. Its members didn’t take rooted posts as local parish priests. Not all of them were even priests. Brothers in this society trained themselves to provide any kind of Christian service anywhere, at any time, and if necessary to die as martyrs in foreign lands.
These Jesuits, as they came to be called, moved in the vanguard of trends we today describe with the catch-all term globalism. The brothers valued learning, as they needed knowledge of foreign languages and cultures, navigation, agriculture, and engineering if they were to live successfully in far, unknown locales. The Jesuits wore no special uniforms, preferring instead clothes that reflected the culture in which they worked. They recognised a sharp distinction between the conversion of others to Christianity on the one hand and to European ways on the other, and they wanted nothing to do with the latter. All these things set them apart from older orders, whose members viewed with disapproval this modern fellowship’s tolerant approach to science, to secular scholarship, and to foreign practices such as ancestor reverence, ‘nature worship’ and polygamy.
Endo based his missionaries in Silence on actual historical figures. They leave their native lands far behind in a quest that eventually brings them up against the bleakest realities of suffering. They now face troubling questions about the universality of any religion and about the nature and meaning of sacrifice. Prepared to lay down their lives for what what they love, they find—under the enormous, cunningly devised pressures placed upon them in Japan—that ‘laying down one’s life’ can take many forms.
The promotional video features two Santas. One is Mister Santa of the Year: Together Santa, Incredible Santa, the guy who always gets it right. I don’t play that Santa. I play Nick, the Santa who is running late because he has relied on substandard products that fail him when he needs them most. Imagination on my part was hardly necessary, as memories of my last mobile device remained fresh. Here is how that relationship ended:
Drivemaster hammers. Quality product. So. Back to the on-set photos. The picture at the top of this post shows the beard and age makeup done. Below is a shot of the makeup team preparing that look.
I appreciated the help getting into the costume. The beard, made of wool, costs around NT$20,000 (US$600). Once applied, we wanted to be careful with it. I had to take care anyway, as I couldn’t see past it!
Here are three proof-of-concept shots that we made three days earlier. The eyebrow and age details were omitted at this stage. The idea was just to see how the main elements worked, get a sense of how expressions read, and make any necessary adjustments. I found that the beard took away some expressive tools. Eyes and overall posture would have to carry more freight than usual in conveying a character.
The photo below shows me on set. I step onto a slanted roof covered with powder that stands two stories above a bare concrete floor. The technicians prepare the lights as I concentrate on non-dying.
This one shows the arrangement: the stage manager watching on the left, the camera and boom, and behind us the green screen backdrop that will be replaced with scenery in processing.
My part of the shoot started in very wee hours. Makeup started going on around 3:00 and I stepped onto the set after 4:00. By then these lighting technicians had entered their 17th straight hour on set.
In the scene, Nick is scrambling to finish an all-night gig in the wee hours of the morning. So, in a way, the scene was shot in real time.
Here I see the photographer lifting her camera and give her a Taiwan-style pose.
In the photo below the stage manager talks me through each step as I climb down. We’re done with the shoot. My bit only took two hours. I’m proud of that, as I wanted to use everyone’s time well.
Many thanks to Jo Hung for the photos and for the gig. Here again is the resulting video.
I do encourage you to give Asus products a look next time you shop for electronics. They make some clever gadgets.